Tuesday, March 09, 2010

Frozen Eyes: Focusing on Fort Liard - NNSL Archives

[excerpt]

Full text here
Focusing on Fort Liard

Daron Letts
Northern News Services
Published Saturday, Aug. 29, 2009

ACHO DENE KOE/FORT LIARD - Youth in Fort Liard captured hundreds of digital photographs of their community earlier this month.

NNSL  Photo/Graphic

Michael Needlay flashes the peace sign in this image shot by Blair Kotchea during the Frozen Eyes Photographic Society's youth digital camera workshop in Fort Liard. - photo courtesy of Blair Kotchea

The young artists participated in a Frozen Eyes Photographic Society workshop series from Aug. 3 to Aug, 9.

"It was probably the most successful program that I had run in terms of engaging the older kids because they're a difficult group to interest in much," said recreation co-ordinator, Roslyn Firth. "But, they participated in numbers greater than I'd ever imagined and produced some really beautiful photographs."

Society members David Pritchard and George Lessard of Yellowknife led the workshops. The pair brought 12 cameras and other specialized equipment to share with the youth. Pritchard opened the workshop with an instructional introduction to the cameras and the art of photography.

[...]

Full text here


Sunday, March 07, 2010

Put Your Images in Hotels with Farmboy Fine Arts

Get Your Images in Hotels http://ow.ly/1fk8n with Canada's Farmboy Fine Arts Inc. http://ow.ly/1fk9H | Black Star Rising #photography sales

[excerpt]

"... How It Works

For photographers, the firm operates in much the same way as a stock company. Photographers are free to send in their images, which are then made available to clients.

When a sale is made, the photographers are paid a royalty and a commission for each image licensed and for each time it's used. One photograph used in multiple places in a hotel then would generate multiple payments.

Farmboy's Stockyard Collection — its inventory of submitted images — is divided into six categories: abstract; architecture; landscape; lifestyle; organic; still life; and technology. The company tends not to accept images that are too "stocky."

When you submit your work for review, Farmboy will tell you what sort of imagery works best for them so that you can narrow down future submissions. In general, Farmboy is looking for artistic works — the kind that are the most fun to produce and the hardest to sell.

Sometimes, Farmboy issues call-outs for specific types of images demanded by a client. For example, the company recently has been looking for city-specific images as well as works that are "edgy," "conceptual" and "art-driven." Photographs submitted as a result of a call-out and not used by the client are placed in the Stockyard collection.

Farmboy Fine Arts provides a rare opportunity for photographers looking to earn money from their artistic images. Their open submission policy means that anyone can submit images for review, and there's certainly a sense of satisfaction that comes with knowing that your photos are hanging on a wall in a hotel somewhere.

Modest Commissions

But the rewards may be relatively low. Farmboy pays a commission based on its own gross profits. Photographers have reported incomes as low as $25 for each image and only $2 or $3 for each room in which the image is placed.

Farmboy might deal with art and sell to big clients, but the prices and bulk deals it strikes may make it the microstock version of commercial art photography, rather than a large commercial gallery.

And any images submitted also have to be exclusive. While you can sell an image submitted to Farmboy as a print, hang it in a gallery or exhibit it in a show, you can't license the image in any other way. If an image doesn't sell, though, you can remove it from Farmboy and try to license it elsewhere...."




GEORGE LESSARD
Information, Communications and Media Specialist
Spécialiste en l'information, communications et  medias
451 Norseman Dr.
Yellowknife, Northwest Territories
X1A 2J1, Canada
Yellowknife Land Line # (867) 873-2662
Yellowknife Cell # (867) 445-9193
E-mail: mediamentor@gmail.com
Website
My Biography - My panoramic images - Photo Illustrations - Circumpolar Blog
Community Radio Around the World Blog - Photography Blog
El Alto to Lake Titicaca Bolivia Photo Book
Chelyabinsk Russian Village Photo Book
Arviat, Nunavut Photo Book
Yellowknife Maps
Twitter Feed on Northern  & First Nations Isuues
Twitter Feed on Journalism & Media Issues
Member:
Canadian Association of Journalists
Canadian Artists Representation / le Front des artistes canadiennes
Canadian Artists Representation Copyright Collective


Chat Skype: themediamentor Google Talk: mediamentor@gmail.com

Saturday, March 06, 2010

Friction over young photography whiz's art

Friction over young photography whiz's art

Children may be frightened or misunderstand symbolism, church says

By MOISES MENDOZA
HOUSTON CHRONICLE

March 1, 2010, 6:42AM

RT @mediamentor: Young photography whiz's art worries church http://ow.ly/1f8xd #photo #art #censorship Texas

[excerpt]
photo
Jackson Potts II

The elders at Ecclesia Church declined to show Jackson Potts' work in the Stations of the Cross art display. Inspired by the Crucifixion of Jesus, the piece depicts his brother being beaten by a police officer.


The elders at Ecclesia Church were expecting something tame from Jackson Potts II for their annual Stations of the Cross art display.

Instead, the 10-year-old produced a photo of his kid brother being beaten by a police officer. Jackson says it's a modern-day interpretation of Roman soldiers beating Jesus.

It's disturbing and could frighten children, argue church elders, who declined to display it in the church's art gallery alongside the work of other artists depicting the remaining 14 stations (the 15th depicts Christ's resurrection).

Jackson and his father, also a photographer, are holding out hope the Midtown church will allow the photo to hang during the city's FotoFest, a biannual photography celebration that runs until the end of April.

Church officials have offered to let Jackson display his piece for a few hours on March 12 as a compromise.

"I just want them to display it," Jackson said as he sipped a strawberry shake recently. Most everyone agrees Jackson is a gifted artist. He's done several impressive artistic pieces featuring his 7-year-old brother Dietrich. He's also shot weddings and will photograph an upcoming culinary conference.

So it was natural that Ecclesia's Xnihilo Gallery would invite the boy to participate in its special display, for which photographers create their interpretations of Jesus' path to crucifixion. ...



Friday, March 05, 2010

Lightroom 3 vs Aperture 3

Lightroom 3 vs Aperture 3

Adobe or Apple? If you're a photographer who uses a Mac for RAW workflow, which should you choose? Find out in our Lightroom 3 and Aperture 3 comparison...

Lightroom 3 vs Aperture 3

Aperture has made profound improvements when you get into the nitty gritty of editing images

Photoshop may have just struck its 20th birthday, but in many ways it's less relevant to photographers than ever before. Not because it lacks power, features, or performance, but because photographers are now spoilt for choice by the two best workflow applications on the market. Aperture 3 arrived just over two weeks ago, while Lightroom 2 has been keeping pros happy for just under two years. Lightroom 3 is due to arrive before summer.

Lightroom 3 might not be out yet - but you can get it for free, courtesy of Adobe's beta program at http://labs.adobe.com/technologies/lightroom3. It's effectively a full piece of software already – in our experience it's fast, stable, and offers a few decent new features over the current version of Lightroom 2.

But if you're a Mac user you're presented with a dilemma – Aperture 3 offers a raft of new features and, if Adobe's previous pricing is an indication you can expect to spend around £40 more on Lightroom. Should you splash out on Aperture 3 now or wait for Lightroom 3 to arrive later this year?



GEORGE LESSARD
Information, Communications and Media Specialist
Spécialiste en l'information, communications et  medias
451 Norseman Dr.
Yellowknife, Northwest Territories
X1A 2J1, Canada
Yellowknife Land Line # (867) 873-2662
Yellowknife Cell # (867) 445-9193
E-mail: mediamentor@gmail.com
Website
My Biography - My panoramic images - Photo Illustrations - Circumpolar Blog
Community Radio Around the World Blog - Photography Blog
El Alto to Lake Titicaca Bolivia Photo Book
Chelyabinsk Russian Village Photo Book
Arviat, Nunavut Photo Book
Yellowknife Maps
Twitter Feed on Northern  & First Nations Isuues
Twitter Feed on Journalism & Media Issues
Member:
Canadian Association of Journalists
Canadian Artists Representation / le Front des artistes canadiennes
Canadian Artists Representation Copyright Collective


Chat Skype: themediamentor Google Talk: mediamentor@gmail.com

Tuesday, March 02, 2010

Morocco: International Documentary filmmakers invited to submit entries

Documentary filmmakers invited to submit entries

Documentary filmmakers from around the world are invited to submit entries for an International Festival of Documentary Films which will be held in Morocco in October. Deadline to submit entries: May 31.

The festival aims to contribute to Moroccan urban development -- culturally, economically and socially -- and to reflect and share the concerns of the people there.

For more information, click here or contact b_elmessaoudi_ma@yahoo.fr

IJNet - Documentary filmmakers invited to submit entries

http://ow.ly/1dtWT

Tlicho “PhotoEye –How to See” Workshops by Tessa Macintosh

Photo Workshops

During the first few months of 2009 the Tlicho Government sponsored photo workshops for our personnel along with a few high school students in all four Tlicho communities including Behchoko, Whati, Wekweeti and Gameti. The workshops were attended by a total of some 30 participants. The quality of the imagery is impressive and much of it has already been put to good use in the annual report of the Tlicho Government.

An increase in visual awareness and skills within the region is necessary as people are making use of electronic media such as YouTube, FaceBook etc. Also there is a concerted effort within the Tlicho Government itself to train our own photographers to document life within our own communities. With a few websites already up and running, there is a full appreciation of the value of visual communication. The intent is to represent ourselves to one another and to world at large.

Conducted by long-time northern photographer Tessa Macintosh, the workshops were a 2-day introductory in basic visual skills. Entitled "PhotoEye –How to See", these workshops consisted of illustrated presentations and actual photo sessions on-location within the community. On-going workshops are planned which will give our people visual tools both for self-discovery and to empower ourselves.

To see more images than are on this website, Photo Albums from the workshops can be found at all the community Tlicho Government offices and school libraries.

Saturday, February 27, 2010

Call for Submissions / Urban Screens Toronto / Interactive Media & Video Art

Call for Submissions / Urban Screens Toronto / Interactive Media & Video Art / Toronto, ON / Deadline Date:  Monday, March 1, 2010

Explore what is possible with creative access to live, interactive, locally and globally connected screens: real-time, content-rich experiences on digital screens in our public space

The exhibition I am here; what can we do? is part of "Urban Screens Toronto 2010", an international urban screens conference and exhibition taking place between September 24th-30th; produced in collaboration with the International Urban Screens Association (IUSA).

Urban Screens Toronto 2010 will promote a multifaceted approach to exploring the growing appearance of moving images in urban space and the global transformation of public culture in the context of networked forms of urban screens. It will build on the successful events held in Amsterdam, Manchester, and Melbourne and will be the first international Urban Screens conference held in North America.

Through an integrated program of keynote lectures, panel sessions, workshops, curated screenings and multimedia projects, it will bring together leading Canadian and international artists and curators, architects and urban planners, designers, ad agencies and brand managers, screen operators and content providers, academics, activists, policymakers, technology manufacturers, software developers and public intellectuals.

I am here; what can we do?

Public Call For:
New or existing experimental, interactive artwork suitable for urban screens.

Short-format videos that are relevant for presentation on urban screens.

Interactive Design & advertising created for urban screens. We will accept past commercial interactive work from ad agencies and designers.

Student work interactive and video work by students at any institution worldwide is welcome.

Themes include, but are not limited to: The meeting point of the real and the virtual; work that incorporates media technology and contemporary building/architectural technology; user-generated content; multi-site, networked projects; work that addresses public spaces and civic engagement.

Important Information:
Submission deadline: March 1 2010
Submission format: Please submit PDF files only.

No larger than 3 MB.
Provide URLs for viewing of work if desired.

Proposals should include:
1) Brief 50-word summary of your artwork
2) Full proposal or description of the project (maximum 2 pages)
3) Maximum 10 images, URL where work can be found online
4) Documentation of this work if it has previously be exhibited, or of another exhibited work by the artist.
3) Detailed list of technical requirements
4) Curriculum Vitae (maximum 3 pages)

Fees: There is no entry fee. Reasonable presentation fees will be paid, for new and existing interactive work and videos. Fees will not be paid for design & advertising work. Students will not receive a fee, but will be automatically considered for a prize. Please note that we cannot fund the creation of new work.

Submit: In the subject line: Urban Screens Toronto Proposal
Email to JURY at: urbanscreenstoronto@gmail.com                    

Jury: The jury will be comprised of Toronto Urban Screens committee members Michelle Kasprzak, Janine Marchessault, Gabe Sawhney, Suzanne Stein and Sharon Switzer.

Notification: April 1, 2010



GEORGE LESSARD
Information, Communications and Media Specialist
Spécialiste en l'information, communications et  medias
451 Norseman Dr.
Yellowknife, Northwest Territories
X1A 2J1, Canada
Yellowknife Land Line # (867) 873-2662
Yellowknife Cell # (867) 445-9193
E-mail: mediamentor@gmail.com
Website
My Biography - My panoramic images - Photo Illustrations - Circumpolar Blog
Community Radio Around the World Blog - Photography Blog
El Alto to Lake Titicaca Bolivia Photo Book
Chelyabinsk Russian Village Photo Book
Arviat, Nunavut Photo Book
Yellowknife Maps
Twitter Feed on Northern  & First Nations Isuues
Twitter Feed on Journalism & Media Issues
Member:
Canadian Association of Journalists
Canadian Artists Representation / le Front des artistes canadiennes
Canadian Artists Representation Copyright Collective


Chat Skype: themediamentor Google Talk: mediamentor@gmail.com

Tuesday, February 23, 2010

PHOTO / VIDEO / CONTESTS: Photo & video entries sought on the 'human dimension of climate change'

Posted on: 22/02/2010 Documentaries, Environmental, Fellowships and Awards, Photojournalism, Television Deadline: 15/04/2010 Region: Worldwide

Young journalists between 18 and 35 years old are invited to submit photos and videos to a competition aimed at raising awareness of the human dimension of climate change through photo and video journalism. Deadline: April 15.

The winners will be selected depending on artistic excellence and a powerful message about the human dimension of climate change.

The competition is supported by the Global Humanitarian Forum.

For more information, click here.
http://www.ghfgeneva.org/visionawards/TheAward/Description/tabid/554/Default.aspx
To apply, click here.
http://www.ghfgeneva.org/visionawards/ApplicationProcess/HowToApply/tabid/555/Default.aspx
source
https://www.ijnet.org/ijnet/training_opportunities/photo_and_video_entries_sought_on_the_human_dimension_of_climate_change

Monday, February 22, 2010

Live Webcast Interview Archives for Yellowknife's Auror Arts Society Artists Demonstration - Sunday, February 21, 2010

Aurora Arts Society live webcast archives
for Sunday, February 21, 2010

For the main page.... where the live streaming happened on Sunday...
http://www.ustream.tv/channel/aurora-arts-society
we even had a viewer from the Yukon!

Interview with Hazel Wainwrite, quilter
http://www.ustream.tv/recorded/4920095
Also available on YouTube
http://www.youtube.com/watch?v=DO5OX7UrNz4

Interview with Landon Peters, Painter
http://www.ustream.tv/recorded/4919647
Also available on YouTube
http://www.youtube.com/watch?v=0CzPnQVzWMk

Interview with Janet Pacey
http://www.ustream.tv/recorded/4919741
Also available on YouTube
http://www.youtube.com/watch?v=WtgDZLBefpk

Interview with Sheila Anderson and Terry Pamplin
http://www.ustream.tv/recorded/4919944
Also available on YouTube
http://www.youtube.com/watch?v=qb_T56PSJd4

Aurora Arts Society website
http://www.auroraarts.ca/




GEORGE LESSARD
Information, Communications and Media Specialist
Spécialiste en l'information, communications et  medias
451 Norseman Dr.
Yellowknife, Northwest Territories
X1A 2J1, Canada
Yellowknife Land Line # (867) 873-2662
Yellowknife Cell # (867) 445-9193
E-mail: mediamentor@gmail.com
Website
My Biography - My panoramic images - Photo Illustrations - Circumpolar Blog
Community Radio Around the World Blog - Photography Blog
El Alto to Lake Titicaca Bolivia Photo Book
Chelyabinsk Russian Village Photo Book
Arviat, Nunavut Photo Book
Yellowknife Maps
Twitter Feed on Northern  & First Nations Isuues
Twitter Feed on Journalism & Media Issues
Member:
Canadian Association of Journalists
Canadian Artists Representation / le Front des artistes canadiennes
Canadian Artists Representation Copyright Collective


Chat Skype: themediamentor Google Talk: mediamentor@gmail.com

Wednesday, February 17, 2010

Video - Kodak (2006)

Ubu Web @ubuweb free resource dedicated to all strains of avant-garde ethnopoetics & #outsider #arts
http://ow.ly/18a2m
#text #MP3 #video

U B U W E B - Film & Video: Tacita Dean - Kodak http://ow.ly/18a6v

After discovering that the Kodak factory in Chalon-sur-Saone, France, was closing its film production facility, Dean obtained permission to document the manufacture of film at the factory with the soon-to-be obsolete medium itself. The 44-minute-long work Kodak constitutes a meditative elegy for the approaching demise of a medium specific to Dean's own practice. Kodak's narrative follows the making of the celluloid as it runs through several miles of machinery. On the day of filming, the factory also ran a test through the system with brown paper, providing a rare opportunity to see the facilities fully illuminated, without the darkness needed to prevent exposure.

Thursday, February 11, 2010

How we learned to love Photoshop

RT @mediaguardian: How we learned to love #Photoshop http://ow.ly/16u69 #media #art #digital #journalism 

[excerpt]

How we learned to love Photoshop

Photoshop, the ubiquitous photo manipulation program that is 20 years old, is now so popular it's a verb in common usage

Keira Knightley pre- and post-Photoshop manipulation

Keira Knightley pre- and post-Photoshop manipulation. Photograph: Splash News

You're browsing the online catalogue for Heine, the German interiors-and-­everything-else shop, when a "secretary table" catches your eye. The white one looks hideous, but there's a brown one – so you click the picture to see it in more detail. It looks nice, but there's something unsettling about the picture. The table looks fine, but the chair behind it somehow manages also to have a leg in front of the table. It's ­interior design, as done by MC Escher.

Except this isn't the fine artwork of Escher – it's lousy gruntwork by someone using Photoshop, the image ­manipulation program that turns 20 next Friday. The image is just one of a whole stream that have been sent to the ­Photoshop Disasters blog since it started in March 2008. An eerily ­unreal, doll-like Ashlee Simpson graced its first post.

Photoshop has, like Google, transcended its origins in the world of ­computing, and become a verb. But whereas "to Google" is almost always used positively to express usefulness, Photoshopping is almost always a term of abuse: "That picture was Photo­shopped" has become a shorthand way of saying it is untrustworthy and misleading (Adobe, the company that sells Photoshop, decries its use as a verb: "It must never be used as a common verb or a noun," it tuts. Too late.)

Monday, February 08, 2010

If You Can’t Be Original, You Should at Least Be Honest

RT @mediamentor: RT @blackstar: If You Can't Be Original, You Should at Least Be Honest
http://ow.ly/15kKk

If You Can't Be Original, You Should at Least Be Honest


February 9 | By Peter Phun | Posted in Art of Photography

[excerpt]

".... Many photographers start out with lofty goals. The budding artist wants to be an original — to immortalize something unique with his or her camera.

These beginners soon learn that there are very few "secret" locations that have not been captured in photographs (particularly now that a camera is part of most everyone's mobile phone). For some, this realization makes them not want to step outside or hold a camera up to their eye, because everything they see has been photographed so many times before.

Of course, to become an artist, you need to use your camera. It's how you learn all those pesky dials, knobs and buttons. And it's how you develop, through years of practice, a style that is uniquely your own.

It's how you become an original.

A Disturbing Trend

What I find disturbing, though, is that some beginning photographers don't seem to value originality.

In fact, they don't even understand the difference between learning photography and creating photography. They think that snapping a shutter is what photography is about. ....."


Sunday, February 07, 2010

Community Media Association of the UK - A photo blog "year in the life of community media" for 2010

RT @mediamentor: Community Media Association 365 http://ow.ly/14TMX 2010 – a photo blog year in the life of community media - About http://ow.ly/14TOy

About

The Community Media Association (CMA) has started this photo blog for 2010 but we need your help.  We would like you to send us photos of your community project that we will publish on "Community Media 365″.  Every day in 2010 we will post to this blog an image relating to community media so that over the course of 2010 together we will build a rich visual picture of the community media sector.

All images are welcome – whether it's a picture of the stapler on your desk or a visit to your project by a campaigning politician; a photo of your staff team or the view from your window.  Obviously the more photos we can get from you the better chance we have of this project succeeding.  The CMA will also post the odd picture up so you will get a chance to see some of us at work.

Please send your photos to: photo365@commedia.org.uk

We can handle all digital photo file formats but sending jpegs will mean less work for us to convert them.  We can also scale down pictures so hi-res photos are fine.  When sending photos from a mobile phone try to set the highest resolution possible.  Please ensure that all photos are suitable for publishing on the web in terms of rights clearance and privacy.

We will continue to make calls throughout the year for photos so just keep them coming.  We hope to feature as wide a spread of your projects as possible but the more good photos that you send us the better the chances are of your organisation featuring several times.

So please start immediately and send your photos now to: photo365@commedia.org.uk

***
The Community Media Association is the UK representative body for the Community Media sector and we are committed to promoting access to the media for people and communities.  We enable people to establish and develop community based communications media for empowerment, cultural expression, information and entertainment.

Background
Founded in 1983, the CMA is a non-profit making organisation, supporting community radio, local television and community-based internet projects. We represent the interests of the community media sector Government, industry and regulatory bodies.

Membership currently exceeds 600, bringing together established organisations, aspirant groups and individuals within the sector. The CMA provides a range of advice, information and consultancy, offering support to anyone with an interest in the sector.